Tree House

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The art scene was born in ancient times. At different times, it was intended to entertain it, nurture it, then preach. And with these challenges managed the theater - its possibilities are manifold, and the force is great, because theater wanted to put himself at the service of kings and princes, emperors and ministers, revolutionaries and conservatives. The Middle Ages in the application to the theater brought the definition of Theatrum Mundi, which is translated from Latin means "the world of theater." Scenic think about wandering as a model of the universe, which ought to play, to repeat the sacrament of creation. In theater, increasingly assign tasks rectify defects. In condemning the "low morals and confusion, should encourage people to live decent," - says in one of the writings of the time. And in the era of Enlightenment art scene was evaluated very highly - as a "moral cleansing" and encouraging virtue. These ideas were later developed the Russian novelist and playwright Nikolai Gogol. For him, a scene - "it is a chair, which can be a lot of say to the world of good." Thesis theater - University retains value today.

The very fabulous lightness theatrical style Taganka arose from the same foundation, though, that the best performances of the most onerous pages devoted to national history and the most severe tests endured by our people, especially in the first half of last century. Nevertheless, the dominant motif - inconsumable. Inconsumable life in the performance of the deaths of the girls in the war inconsumable poetry in performances at the death of poets, inconsumable Art Theater - at all performances, so they might have been dealt with, the spirit of the theater, which are filled with all of these productions. Of course Taganka was born not to suffer defeat. It is they and not tolerated. We remember how the first ended lyubimovsky play "A good man out of Sezuana": "The bad end before discarded. It must, must, must be good! "And here is a wonderful case where the fairy tale did.

The director commented on both their work, which devotes a friend and colleague: The whole world - a hospital, and all men and women - its inhabitants. This belief is the driving force behind all of my theater. In other words, I take drama as a form of expression, in which the playwright crystallized their observation, their understanding of people as patients. Some playwrights could argue that, but I think that all the great plays are based on such interpretations. Thus, the location of some of my work in the theater had been the hospital, to be exact - a hospital for the mentally ill. "Elektra" - is no exception. Deprived of all family ties, the heroine of my play live alone, almost dumb, in the hospital. All, to which she aspires, is to avenge his mother betrayed her.